In my previous post I wrote about the Summer bonsai Festival organized by the Nippon Bonsai Sakka Kyookai Europe (NBSKE) of wich I have been a member for a couple of months and am so excited to be part of. If you missed my previous post go to Part 1 and Part 2 to see more.
The last part of the week was dedicated to the National Congress of the NBSKE. Again the trees and compositions were rearranged, and the focus of this last part of the week went to the real art of Bonsai: Improve your bonsai with Sensei Isao Fukita; how to set up the Tokonoma; demonstration of bonsai technique with the contribution of the expert members of NBSKE and Sensei Fukita; for those interested teacher Fabio Smolari did some Taiji in the morning and prof. Aldo Tollini gave a very interesting conference on the Arts and ways of Japanese culture.
Well, since Sensei Fukita was there, I tried to apply my very sparse Japanese to impress, but I grandly failed with pleasant appreciation from his side: I told him “kombawa” instead of “domo arigato”. For the record: good night instead of thank you! He laughed with affection!
Of course the new shimpaku bought at Otti’s nursery had to be restyled, and Sensei Fukita did a great job, well… what else could one expect! Sensei Isao Fukita was born in 1966 in Hirosaki in the province of Aomori. In 1983 he became a pupil of Sensei Kunio Kobayashi at Shunkaen. In 1990, after the loss of his father, he had to leave Shunkaen and returned home to carry on the family tradition as bonsai Master in Kashoen. At the Nihon Bonsai Sakufu-Ten he received, for three consecutive years (1994-1996) the Association Hana Ippai first prize, Satsuki section. In 1998 he received the award from the Mainichi Shinbun for first style Bunjin at the Sakufu-Ten. In the same year he travels to San Francisco to give Bonsai conferences. In 1999, at the Sakufu-Ten he archives the award from the Japanese Minister of Agriculture and Forestry.
It was nice to see a Japanese sensei at work, he sweated a lot bending two pinus silvestris!
After dinner Prof. Aldo Tollini, a great expert of Japanese culture and our translator, held a really interesting conference about the arts and ways of Japanese culture. “le arti e le vie nella cultura giapponese” the Arts and Ways in japanese culture. Basically; the perfecting of the imperfect, the path of the art brings illumination, the heart searches for perfection in exterior forms, the correct exterior form corrects the heart. The concept of wabi, the Kibishiza drama. Really interesting.
Saturday, a very interesting conference/exchange of opinions about the preparation of the Tokonoma. I am sure everybody knows what a Tokonoma is. In English, Tokonoma is usually called alcove (quelle: Wikipedia). For bonsai enthusiasts a display in the Tokonoma should be the ultimate goal while planning the plant. When a composition is finished/styled/restyled or even just preparing for the next show, it should be displayed in the Tokonoma to see the flaws and qualities of the plant, for the choice of the right shitakusa (accent plant) and the kakejiku (Japanese scroll painting or calligraphy), in order to choose the right table or jiita (a wooden or bamboo flowerpot saucer). 11 exhibitors and master members presented their own interpretations in the Tokonoma. Once more, a very interesting exchange of opinions, and the President of NBSKE Lorenzo Agnoletti recited a poem? Very touching.
I travelled home on Sunday and missed the demo of my Sensei Nicola Crivelli and a Yamadori workshop with Lorenzo Agnoletti but my new friends told me it was really special.
This was my 3 part series on the Bonsai Summer Festival. Hope you all enjoyed it and hope I brought you some japanese bonsai culture in your heart and in your soul.
I had a wonderfull week, I meet lots of lovely people, I learnes su much about bonsai art, I really had a great time and wanted to thank all the members of NBSKE for organizing such an amazing event. I really hope to repeat this experiance also next week.
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